Can we just stop and talk about this for a minute?
Thresh doesn’t make an alliance. Thresh doesn’t waste time liking her. Thresh knows that either he must kill her or she must kill him for one of them to win.
But this is the only way he can repay her for protecting Rue when he couldn’t. It’s the only way he can repay her for honoring Rue when he couldn’t. He honors her by sparing her friend, the girl who would have died for her.
The revolution really doesn’t start with Katniss.
It starts with Rue.
SOMEBODY FINALLY SAID IT
This is exactly the point I’ve been trying to make for years. Okay, so the revolution gets it’s kindling with Katniss. She volunteers, well that’s new, she rebels in the display of talents by shooting the apple. This triggers her perfect score, okay. These aren’t really “Revolutionary” though.
It’s not even revolutionary when Peeta professes his love, because, let’s face it, the rules of the game haven’t changed. They’re still just two kids who would have to KILL each other to win. Without a doubt, it would bring some interest to the games, so the Capitol makes propaganda about it. The “Star Crossed Lovers” in a game of life and death.
But what changes the game is Rue. Right away from her introduction in the books we know Rue is going to be somewhat of a big deal. She was compared to the most important character to Katniss, Prim, so that’s a huge indicator. She’s small, young, she’s what Prim would have been.
So Katniss instantly feels a subconscious pull toward her.
When they meet in the trees, Katniss could have killed Rue easily, and Rue probably could have pulled a sneak attack or alerted the Careers of Katniss’s presence. Instead, Rue points out the Tracker Jacker nest.
Then it escalates, Rue and Katniss become an odd team, they’re an alliance, which is never new in the Hunger Games, as forming teams and then betraying them at the end seems to be a common, but there’s is different. It’s close, it’s sisterly, protective.
And then Rue get’s impaled. Katniss kills her first tribute with ease after that. Comparing it to hunting game. Katniss holds Rue, she cries, and then she sings. She sings for Rue a song of promised safety and warmth, something completely absent in the arena.
And this is where the metaphorical canon fires. Katniss could have left Rue, the hovercraft would have been along to pick her up, but she can’t. She’s morally obligated to love this girl as much as possible. And this is where the revolution starts.
She honors the dead. She honors a dead tribute from a district she’d never seen, a person she’d known for only a short period of time. But she throws away Hunger Games norms. She rejects them completely.
In the Hunger Games you’re supposed to kill mercilessly and leave the victims for the plain box they’re shipped home in.
Katniss gives Rue a funeral in the Games, she decorates the body, she makes it look like Rue is sleeping. Like no harm had come. Katniss just ignited the coals that Rue had placed.
Rue’s District sends a parachute. Homemade bread.
Then Thresh kills Clove and distracts Cato by taking his bag.
The fire is going now, and the actions in Catching Fire are even more obvious.
The Speech for Rue. Peeta’s painting. Everything eludes back to this one little girl who became Katniss’s family.
So the revolution never started with Katniss, she was just the tinder for Rue’s ignition.
Rue was the real Mockingjay.
Also, who’s four note whistle is constantly attached to the trailers?
Rue is omnipresent in the books and movies, and I absolutely love it.
This makes me cry every time
Charlie is the best thing about Twilight
Charlie is the only good thing about Twilight
Charlie is the only logical one in Twilight
Petition for Charlie to play a hunter on supernatural
Rape isn’t about uncontrollable sexual desire. You only have to listen in on a Call of Duty game to see that. When that kid crows, “I raped you!”, he’s not calling the other guy sexy; he’s saying he defeated him, dominated him, humiliated him. That’s what rape is about, and that should scare you.
gonna reblog this till I stop tumbling
PLEASE OH MY GOD. PETER CAPALDI AND CATHERINE TATE WOULD BE ONE OF THE BEST PAIRS EVER, THINK ABOUT IT.
Are you kidding? Is this real? *cries happy tears*
This would be- *sobs*
Please make this happen. Please.
I’D TOTALY GO WITH THIS
"Get the fuck in or get the fuck out."
"Oi watch your mouth, you big outer-space dunce."
"Just because you look older it doesn’t mean anything changes.."
"Planet of the Hats..NOW..you promised it ages ago.."
"There is no fucking planet of hats!"
Please make this happen!
Can we take a moment to appreciate rough and tough, super badass Dean and Sam, who’ve hunted hundreds of demons and monsters were always too nice to kill a deer?
Can we also take a moment to appreciate rough and tough, super badass Bobby, whose hunted hundreds of demons and monster has seen Bambi?
I’ll never understand people who dislike Donna Noble.
Do they exist? I like to believe they don’t.
I can’t click my reblog button hard enough
It’s not just the ladies who get insecure, it’s all of us. It’s a human trait, yo.
Fricken’ beautiful. Everything that I want to say about this has been said in the post above me.
you can’t stop me from reblogging this over and over again
IT GOT BETTER
"haha hey remember when you liked-"